»Jenufa« 1. Akt (Beginn)L. v. Matacic – Frankfurt 1961
– »Neun sind nur angenommen worden«L. v. Matacic – Frankfurt 1961
– »Weißt ja, wie stolz ... Grein doch nicht!«A. Schlemm, E. Kozub, Matacic – Frankfurt 1961
2. Akt (Anfang)Chr. Goltz, A. Schlemm, Matacic – Frankfurt 1961
– »Im Augenblick«L. v. Matacic – Frankfurt 1961
3. Akt (Anfang)
– »Ihr wißt ja von gar nichts«L. v. Matacic – Frankfurt 1961
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Legendäre Aufnahmen von Werken Tschaikowskys und des »Mächtigen Häufleins«
Auf Knopfdruck: Einspielungen mit Interpreten wie Jewgeni Mrawinsky und Leopold Stokowski, Rafael Kubelik oder Fritz Reiner, Swjatoslaw Richter oder Jascha Heifetz…
Tschaikowsky und seine »Widersache«, die »Nationalrussische Schule« der Gruppe um Modest Mussorgsky, Alexander Borodin und Nikolai Rimskij-Korsakow, inklusive das »schwierigste« aller Klaviervirtuosen-Stücke, Mili Balakirews »Islamey«.
Noblesse, ein wenig Parfum, mehr Dekor als Tiefgang und Dramatik? Die Vorurteile in Sachen französischer Musik sind in deutschsprachigen Landen weit verbreitet - eine Viertelstunde des Lauschens genügt, sie vollständig auszuräumen: Mehr Aufregungspotenzial als in César Francks »Wildem Jäger« steckt in keiner Tondichtung von Richard Strauss, in keiner Verdi-Oper!
So kann die Entdeckungsreise gleich weitergehen mit der bemerkenswert zwischen deuetscher symphonischer Tradition und lateinischem Sentiment angesiedelten Symphonie d-Moll desselben Komponisten (eine Aufnahme unter Pierre Monteux):
1 Lento. - Allegro non troppo.Pierre Monteux San Francisco Februar 1952
2. AllegrettoPierre Monteux
3. Allegro non troppoPierre Monteux
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Sigmund Noskowski (1846-1909) ist, musikhistorisch betrachtet, das Missing Link in der Linie der polnischen Musikgeschichte zwischen Stanislav Moniuszko, dem Schöpfer der polnischen Nationaloper »Halka« und dem bedeutendsten Meister der polnischen frühen Moderne, dem Richard-Strauss-Zeitgenossen Karol Szymanowski.
