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Bachs »Brandenburgische« in frühen Einspielungen

Eine Auswahl von frühen Aufnahmen – von den Pioniertaten der Schellackära bis hin zu den ersten Versuchen einer Besinnung auf den sogenannten »Originalklang«: So klang es, wenn der Orchesterdompteur Fritz Reiner oder der bedeutende Komponist George Enescu Bach dirigierten – oder wenn der junge Nikolaus Harnoncourt unter Felix Prohaska in den Fünfzigerjahren die Gambe spielte ...

 

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Bachs Chorwerke

»Hohe Messe«

ZUM WERK

  1. Hohe Messe Hermann Scherchen Wien 1950
  2. Gloria (1. Teil)
  3. – 2. Teil
  4. Credo
  5. – et resurexit
  6. Sanctus – Benedictus
  7. Agnus Dei
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  1. Bach Hohe Messe (Karajan, EMI 1952) 1. Kyrie
  2. Elisabeth Schwarzkopf Maerga Hoeffgen Nicolai Gedda Heinz Rehfuß 2. Gloria
  3. 3. Credo
  4. 4. Sanctus - Benedictus - Agnus Dei
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  1. Bach Hohe Messe DGG 1961 Maria Stader – Münchner Bach Orchester, Karl Richter
  2. Gloria
  3. – Qui tollis
  4. Credo
  5. – Crucifixus
  6. Sancuts
  7. Benedictus
  8. Agnus Dei
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Bachs Klaviermusik

»Clavier«, das war für Bach zuallererst einmal die Orgel. Um dieses Instrument kommt man nicht herum, wenn man Bachs Musik kennenlernen möchte und sie adäquat zum Klingen bringen will.

Was die »Klaviermusik« im heutigen Sinn betrifft, hat uns die Originalklangbewegung beinah um das Vergnügen gebracht, die einschlägigen Kompositionen des Meisters auf dem modernen Konzertflügel interpretiert zu hören.

Wieviel an musikantischem Wissen und Intuition uns da verloren ginge, wollen die folgenden Beispiele andeuten. Einige der herausragenden Bach-Interpretationen aus einer Ära, in der man nicht unbedingt ein Cembalo benötigt hat, um Bachs Geist eindringlich zu beschwören.

Helmut Walcha spielt Bach (1949)

  1. Toccata und Fuge d.Moll BWV 565 Helmut Walcha
  2. Triosonate Es-Dur BWV 525 Helmut Walcha
  3. – Adagio
  4. – Allegro
  5. Wachet auf, ruft uns die Stimme Helmut Walcha
  6. Wo soll ich fliehen hin Helmut Walcha
  7. Wer nur den lieben Gott läßt walten Helmut Walcha
  8. Meine Seele erhebet den Herrn Helmut Walcha
  9. Ach bleib bei uns, Herr Jesu Christ Helmut Walcha
  10. Kommst du nun Helmut Walcha
  11. Sei gegrüßet, Jesu gütig Helmut Walcha
  12. Triosonate G-Dur BWV 530 Helmut Walcha
  13. – Lento
  14. Allegro
  15. Fuge Es Dur BWV 552 Helmut Walcha
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walten","order":6,"mp3":"https:\/\/archiv.sinkothek.at\/bach\/wal47\/06.mp3","meta":{"artist":"Helmut Walcha","length_formatted":""},"src":"https:\/\/archiv.sinkothek.at\/bach\/wal47\/06.mp3","thumb":{"src":""}},{"artist":"Helmut Walcha","artworkId":0,"artworkUrl":"","audioId":0,"audioUrl":"https:\/\/archiv.sinkothek.at\/bach\/wal47\/07.mp3","format":"","length":"","title":"Meine Seele erhebet den Herrn","order":7,"mp3":"https:\/\/archiv.sinkothek.at\/bach\/wal47\/07.mp3","meta":{"artist":"Helmut Walcha","length_formatted":""},"src":"https:\/\/archiv.sinkothek.at\/bach\/wal47\/07.mp3","thumb":{"src":""}},{"artist":"Helmut Walcha","artworkId":0,"artworkUrl":"","audioId":0,"audioUrl":"https:\/\/archiv.sinkothek.at\/bach\/wal47\/08.mp3","format":"","length":"","title":"Ach bleib bei uns, Herr Jesu Christ","order":8,"mp3":"https:\/\/archiv.sinkothek.at\/bach\/wal47\/08.mp3","meta":{"artist":"Helmut 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Lento","order":12,"mp3":"https:\/\/archiv.sinkothek.at\/bach\/wal47\/12trG.mp3","meta":{"artist":"","length_formatted":""},"src":"https:\/\/archiv.sinkothek.at\/bach\/wal47\/12trG.mp3","thumb":{"src":""}},{"artist":"","artworkId":0,"artworkUrl":"","audioId":0,"audioUrl":"https:\/\/archiv.sinkothek.at\/bach\/wal47\/13trG.mp3","format":"","length":"","title":"Allegro","order":13,"mp3":"https:\/\/archiv.sinkothek.at\/bach\/wal47\/13trG.mp3","meta":{"artist":"","length_formatted":""},"src":"https:\/\/archiv.sinkothek.at\/bach\/wal47\/13trG.mp3","thumb":{"src":""}},{"artist":"Helmut Walcha","artworkId":0,"artworkUrl":"","audioId":0,"audioUrl":"https:\/\/archiv.sinkothek.at\/bach\/wal47\/15.mp3","format":"","length":"","title":"Fuge Es Dur BWV 552","order":14,"mp3":"https:\/\/archiv.sinkothek.at\/bach\/wal47\/15.mp3","meta":{"artist":"Helmut Walcha","length_formatted":""},"src":"https:\/\/archiv.sinkothek.at\/bach\/wal47\/15.mp3","thumb":{"src":""}}]}

 

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Nadia Boulangers Renaissance-LP (1950)

  1. Mille regretz (Josquin des Pres) Nadia Boulanger Ensemble (1950)
  2. Helas, mon Dieu (livre II des MeslangesBon jour, mon coeur (from "Meslanges") (Orlando de Lassus)) (Claude Le Jeune) Nadia Boulanger Ensemble (1950)
  3. Bon jour, mon coeur (Orlando di LassoNoblesse git au coeur ("Musique 1570") (Guillaume Costeley)) Nadia Boulanger Ensemble (1950)
  4. Noblesse git au coeur ("Musique 1570") (Guillaume Costeley) Nadia Boulanger Ensemble (1950)
  5. Quand mon mary vient de dehors (Lasso) Nadia Boulanger Ensemble (1950)
  6. A declarer mon affection (»31 Chansons Musicales«) (anon. Nadia Boulanger Ensemble (1950)
  7. »Mignonne, allons voir si la Rose« (Costeley) Nadia Boulanger Ensemble (1950)
  8. Ce moys de may (Clement Jannequin) Nadia Boulanger Ensemble (1950)
  9. »Hau, hau, hau le boys!« (Claudin de Serimsy) Nadia Boulanger Ensemble (1950)
  10. »Revecy venire du Printemps« (aus: Claude Le Jeune »Le Printemps« 1513) Nadia Boulanger Ensemble (1950)
  11. Vous me tuez si doucement ("Chansonettes Mesurees") (Jacques Mauduit) Nadia Boulanger Ensemble (1950)
  12. Tu ne l'enten pas, c'est latin (Claude Le Jeune) Nadia Boulanger Ensemble (1950)
  13. Au joly boys ("31 Chansons Musicales") (Claudin de Sermisy) Nadia Boulanger Ensemble (1950)
  14. Francion vint l'autre jour (Pierre Bonnet) Nadia Boulanger Ensemble (1950)
  15. Le Chant des Oyseaux (Clement Jannequin) Nadia Boulanger Ensemble (1950)
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French Renaissance Vocal Music

Begleittext von Nadia Boulanger

Every work of art is a triumph of technique. From a certain happy arrangement of words, lines, colors, or sounds, beauty is suddenly born. How? It would be very difficult to say, for the essence escapes analysis. The masters of the Renaissance, admirable artisans that they were, knew this well. To be sure, always having taken pains to do a good job wherever the responsibility and the dignity of the artist were concerned, they put themselves in the hands of the gods when it came to going beyond the limits where human control ends.

 

DAS SINKOTHEK-ABONNEMENT

ZUM WEITERLESEN, BITTE ANMELDEN